Augusta, GA: 19th Century African American Father and Son Photographers

By Mary M. Marshall, Ph.D.

Since September 2012, I’ve had the privilege of doing volunteer work at Chimpanzee Productions with founder and CEO Thomas Allen Harris. I have assisted Harris, an award winning Filmmaker/Writer/Director/Producer, on two projects: Digital Diaspora Family Reunion (DDFR) and an upcoming documentary, “Through a Lens Darkly: Black Photographers and the Emergence of a People (TALD).” Sharing my family photos with DDFR (see “Dr. Marshall’s Photo Mission“) and researching photographers for TALD afforded me the opportunity to share with Harris that many of my family’s photographs were taken by a relatively unknown 19th Century African American father and son team from Augusta, GA. I was overjoyed when Harris invited me to write an article on my research about these enterprising Black photographers. I am grateful to him for the invitation and to members of TALD team for their technical assistance with the layout.

The Williams’ Family portrait is of my maternal great grandparents. They were the ones who started our family’s photo collection, which I named The Fig Tree Collection. 1st Row is Mary Francile, Pearl, Mattie. 2nd Row is Mary Ella (Mother), Willie (Father). Standing is Armenia.

My interest in the father and son photographer team of Robert Williams (born 1834) and Robert E. Williams (1858 – 1937) emerged as I researched my family history and explored the many 16×20 portraits and 4×6 ambrotypes of my maternal grandmother’s family, also named Williams. I discovered many of my ancestors’ photographs were taken by the photographers, whose studio bore the name R. Williams & Son. More than a few of the smaller 4 x 6 pictures were stamped/imprinted with “R. Williams & Son (Star Gallery)” or “R. Williams & Co.” on the back of the photo. Whether “R. Williams & Son/Co.” singularly or “R. Williams & Son/Star Gallery,” most had the same 705 Broad Street, Augusta, GA. address imprinted on them. Others had a Marbury Street address which was also located near Broad Street.

The Collier Brothers (left) Dr Marshall's great Aunt, Mary Francile Williams (Right)

While my family has a substantial collection of photographs/portraits by R. Williams & Son (Co./Star Gallery) called “The Fig Tree Collection,” the Hargrett Rare Book and Manuscript Library and the University of Georgia Libraries has a collection of 86 Glass plate negatives and positive prints. Prints from the latter may be viewed online at Digital Library of Georgia. They appear within this blog in black and white. All other photographs are the property of The Fig Tree Collection with the exception of those tagged otherwise. Photographs from The Fig Tree Collection plus those from Hargrett confirm Robert Williams & Son’s versatility in subject matter. The Fig Tree Collection depicts formal portraits of the Williams Family, one African American family in Augusta, Richmond County, GA. They vary in size and type. The Hargrett Rare Book and Manuscript Book collection consists of photographs depicting “dwellings and domestic chores, rituals of baptism, harvesting and transporting cotton, vehicles and transportation, and children and family life.”

The Cotton Market in Augusta, GA. Courtesy of Hargrett Rare Book & Manuscript Library

'Baby in Bowl'. Courtesy of Hargrett Rare Book & Manuscript Library

Using oral history, the imprint/photographer’s logo on the back of many of my family’s photos, a local African American newspaper, The Augusta City Directory, and other internet sources, I uncovered even more information about R. Williams & Son, their family, photography business and my family. I learned where the photographers lived, the level of education and kind of work they did. For example, the 1850 Census showed Robert, Sr., a mulatto, was a “Free Inhabitant” of Augusta, Richmond County, GA. Given that most blacks were not entered on the Census until 1870, it is not surprising that they are missing from the 1860 Census. However, they are recorded on the 1870 Census, living in Augusta’s Ward 3. Robert, Sr. is head of household, has married Amelia Williams (born circa 1832) in 1858, fathered Robert E. Williams and working as a “daguere artist.” It further revealed he owned real estate worth $1,000.00, which would be valued at approximately $17,543.86 in 2013.

During this post-Reconstruction era, blacks and whites still lived next door to one another in many areas of Augusta, particularly in parts of Ward 3.

The subjects in the above photos are unknown. The logo confirms that R. Williams & Son used several names on photographs they took.

However, this portion of Ward 3 where the Williams’ family lived, called Springfield Village (now Springfield Village Park), was largely African American. It was and remains two blocks from the main business district of Augusta–the courthouse, newspaper office, the cotton market, banks, restaurants and stores for general shopping.

Village of Springfield Park in 2007. By Staci Richey, New South Associates, Inc. via

Springfield Village Park was the heart of the African American community in 19th Century Augusta and the location of the historic and landmark Springfield Baptist Church, founded in 1787. This church served the religious, educational, political and social needs of the African American community; and, it was the place in which Morehouse College was founded as well as the Georgia Equal Rights Association. Springfield Baptist Church (SBC) and Springfield Village Park have been restored and are on the list of National Landmark Sites.

In the 1840s, the congregation purchased a frame church building (built in 1801) from the St. John’s Methodist Congregation and moved it to the corner of Twelfth and Reynolds Streets. The building, shown here, was later moved to the rear of the property when a new brick church was built (Source: Augusta Richmond County Historical Society, Reese Library, Augusta State University) via

I believe the baptism photos below show early baptisms in the Savannah River by pastors of Springfield Baptist Church during the late 19th Century. SBC was located just a few blocks from the Savannah River.

'Baptism'. Courtesy of Hargrett Rare Book & Manuscript Library

'Men & Women with umbrellas'. Courtesy of Hargrett Rare Book & Manuscript Library

The Present Springfield Baptist Church Building at Twelfth and Reynolds Streets, Dates to the Turn of the Twentieth Century via

SBC was also the religious home of four generations of my family beginning in the 1890s with my great grandmother, Mary E. Williams, and continuing with my generation. We were all baptized there; and, my mother’s graveside service was presided over by Rev. E. T. Martin, the last minister to serve the church before the current pastor.

Photographs from Robert E. Williams’ studio were proudly displayed throughout my family’s home. These portraits, 16 x 20 in size, were beautiful and yet haunting to my child’s eyes. It seemed wherever I turned my head to get away from their watch; the eyes in the pictures appeared more open and focused on me. My child’s mind was filled with stories about their lives so it was easy to bring them to life, often causing me to run as though they had come off the wall in chase. My grandmother and great aunts loved talking about the family, the growth of the African American community and Augusta, the good and bad. They freely shared political, educational and social views with my siblings and me.

Dr. Marshall’s great grandmother, Mary Ella Williams, Circa 1906

I was a sponge soaking up their stories while learning our family and the community’s history. Thus, when I became the family archivist/historian, the serious task of documenting and researching our history was easier than I imagined. Our 1861 family bible, collection of photographs, letters, books and newspapers yielded family history and also documented that of other Augustans. It was while looking at the family section of our bible that I saw the name Robert Williams and wondered: “Is this THE Robert Williams who took the photographs that captured my imagination and sometimes frightened me? Are we related?”

Dr Marshall's great Aunt, Mary Francile and grand mother, Mattie Williams, Circa 1906

These questions grew stronger over time as I found photos that one might label “photographers’ proofs.” I also discovered photos with other “marks” on them that suggested a possible connection between photographer R. Williams & Son and my family. It has been a labor of love over the last twenty plus years as I researched and and obtained as much information on R. Williams & Son as I did on my family: the Mary Ella & Willie Williams family I knew and of which I am a member.

The Williams Sisters: Dr. Marshall’s great Aunts, Pearl & Armenia, and grandmother, Mattie

The family’s collection also included tintypes, ambrotypes and postcard photos. They fed my desire to know the photographers R. Williams & Son. Here, too, the photographer’s logo/imprint and information recorded on the back of photographs provided detailed information for me.

Unknown baby girl on left and Dr Marshall's great Aunt, Mary Francile Williams on right

The imprint on the above photograph of Mary F. Williams is that of J. H. Williams, and his studio is located on Marbury Street, Augusta, and GA. While I haven’t been able to identify J. W. Williams, the 1880 Census revealed Robert, Sr. and Robert Jr. lived on Marbury Street. This suggests there is yet another Williams’ photographer to be unearthed.

The Collier Brothers

Robert, Williams, Sr. was the first black photographer in Augusta. Various sources, including the 1870 Census, indicate that he worked from 1870 to about 1880, honing his craft in the shop of white photographer John Usher. The 1880 Census depicts Robert, Sr., working as a laborer; and Robert, Jr. as the photographer. Although still working out of John Usher’s studio, Robert, Jr.’s skills developed to the point where he was later written into Georgia’s history as one of the best black photographers in Augusta.

According to The Augusta City Directories, 1872 to 1891, John Usher operated a studio at 206 Broad Street. By 1888, the AD indicates that the Williams’s are now primary owners, and the studio is recorded as R. Williams & Son. This listing remains in the Augusta Directory until 1908. Two years later, the 1910 Census reveals that both Robert, Sr. and Robert, Jr. have retired. Although the AD and other records suggest father and son operated the business from 1873 to 1898, this is not entirely accurate. John Usher is listed from 1872 to 1891, and Robert E. Williams, Jr. is listed from 1889 to 1891. As stated earlier, Census records reveal Robert, Sr. worked as a photographer from 1870 to 1880 before becoming a laborer. He clearly continued to mentor his son as Robert, Jr. began his career in 1880 and continued until at least 1908. By 1910, the Census list both men as “retired.”

Like his father, Robert, Jr. mentors and teaches his son photography. So, while the 1910 Census shows both father and son older as being retired, it lists Charles Williams, the 26 year-old son of Robert, Jr., and grandson of Robert, Sr. as “photographer.” This strongly suggests that R. Williams & Son continued as a business for a period after 1908.

Dr Marshall's great Aunt, Armenia R. Williams, Circa 1916

This last photo of Armenia R. Williams was probably taken between 1916 and 1918. She was my great aunt who graduated from Haines Normal and Industrial Institute in 1916 and attended Paine College, both located in Augusta. Although this photo is not by the Williams’s, the photographers who took it, the Baumann Brothers, may have been associated with them. The only conclusion I can draw from this photo is that my family had the financial means to continue having professional photographs taken even after the father, son and grandson photography team of R. Williams & Son closed their doors.

Finally, photos from my family’s collection (The Fig Tree Collection), from The Hargrett Rare Book and Manuscript Library, oral history and the Augusta City Directories have given me a more complete picture of R. Williams & Son. The Williams’s—father, son and grandson—made an enormous contribution to Georgia’s photographic history in general, and the Augusta African American photographic history in particular. I continue to research their lives in hopes of learning even more about them and their possible genealogical connection to my family.

16 Responses to Augusta, GA: 19th Century African American Father and Son Photographers

  1. Larry Patterson April 25, 2013 at 8:09 pm #

    Great article…..insightful and inspiring. It shows that there was a slice of life of the Black experience that was underestimated, overlooked or neglected.

    Kudos Doc Marshall

    • Dr. Kent a. Lesliw March 8, 2019 at 7:14 pm #

      Thank you for posting this wonderful collection of African-American photographs. Do have any of Miss Lucy Craft Laney or her school, the Haines Institute? I am writing a biography of Miss Lucy Laney and have a text completed. It will have to be edited into a shorter version. Mercer University Press has shown an interest in the text. I am have your dissertation to be very helpful. The most coherent source
      of information on Miss Lucy that I have been able to find. Would you please consider reading the manuscript? I have written another book about Amanda America Dickson (1849-1893), a very wealthy, biracial person who moved to 452 Telfair Street after her white father, David Dickson (the Prince of Georgia farmers) left his estate to her, his only child-making her the richest African-American person in the US. I would be pleased to send you a copy.
      Again thank you for you dissertation.

  2. Kim August 1, 2013 at 4:09 pm #

    I live in Augusta and I have about 30 postcards that were sent to Francile Williams, Armenia Williams, Mattie Bell, Mattie Williams, Mamie Williams, Marion Willliams, and others who I think are somehow related. The address on the cards is 1243 Augusta Ave. Augusta, GA- I think these may be some of the same people in this article. Thought you might be interested in having the postcards.

  3. Dr. Mary Marshall August 1, 2013 at 9:34 pm #

    Hello Kim,

    I'm so excited to read your post. I am definitely interested in having the postcards. These are my ancestors. How did they come into your possession? How did you learn of the website? I have so many questions for you. Please be in touch. I would love to speak with you, get answers to my questions and find out what else we have in common besides Augusta. You are a real blessing!

    Thank you for posting this wonderful information. I look forward to hearing from you.

    Dr. Mary Marshall

  4. Dr. Mary Marshall August 1, 2013 at 9:45 pm #

    Hi Larry Patterson,

    Thanks so much for your comments. It's so nice to connect with you again. I enjoyed meeting you at the Brooklyn College Roadshow and seeing your family photos at the Brooklyn College Roadshow Finale. You should consider writing an article for about your experience. I'm sure you have more photos and stories to share.

    Forgive the long delay between when you posted your comments and my response. I had to figure out how to do it.

    I'm looking forward to seeing your work here.

    All the best,

    Dr. Mary Marshall

  5. Carlo Zande October 24, 2013 at 12:50 pm #

    Great article and amazing work.
    Congratulations !

  6. Chuck May 30, 2015 at 3:25 pm #

    This is amazing work from an amazing person. Thanks for the sharing this valuable information, especially with those of us with roots in Augusta. You continue to be an inspiration.

  7. Gerald April 7, 2018 at 12:50 pm #

    Great work and read.

  8. Jamar Lee August 9, 2018 at 8:10 pm #

    I’m a blood relative of the Williams family. My name is Jamar Lee from Trenton NJ. Mamie Williams is my Grandmother and I’m trying to touch base with my family.. Uncle Frank may still be alive but I have many cousin in Augusta.

    • Mary Marshall January 30, 2019 at 8:14 pm #

      Dear Jamar Lee,

      Im sorry it’s taken so long for you to get a reply. I haven’t read the comments in a long time and am just seeing yours. I would be happy to hear from you and share information. Please send a contact email to so that I can be in touch. Alternatively, you may Message me on FB (Mary Marshall) so that we can connect. I look forward to hearing from you.

      Mary Marshall, PhD

    • Yvette M Jackson October 3, 2022 at 12:45 am #

      Hey Mr.Lee…im still trying to get from my GEORGIA…GOD BLESS IN FINDING YOUR ” ROOTS”…My Momma is a FARROW…She married Donald Jackson…momma & her Sister’s…from AGUSTA GA….if you come across INFO for The FARROWS…862-279-1093

  9. Kent A. Leslie February 16, 2019 at 2:37 am #

    Dear Dr. Marshall,
    I am writing a biography of Miss Lucy Craft Laney and would very much like to talk to you at your convenience.
    Please call and let me know what suits you.

    Dr Kent A. Leslie, Mrs.

  10. Earl Whiteside August 19, 2021 at 8:30 pm #

    I was amazed by the photographs and collection in pre civil war Augusta of photos of blacks and FPOC in the Augusta area. I have been researching my great -great grand mother and I am believe she was a FPOC in Augusta in the era of the photos. her name was Caroline Youngblood and a possible relative was Aquella Youngblood.

    I would appreciate any assistance you have in helping me to locate them.

  11. Dr. M. Marshall February 13, 2023 at 3:54 am #

    Dear Earl Whiteside,

    Sincerest apologies. I haven’t looked at responses in a long time. Please send your contact info to “” so that I can respond. You can also send a direct message to

    Dr. M. Marshall

  12. Linda f Rolle October 19, 2023 at 4:18 am #

    Very interesting article, we are The Williams group & family in Southern Florida area. Our research is coming to relatives in Georgia, Ala. Miss. NC, SC, CA
    and more. My mother is from Augusta, Ga.
    We need more information, as well. Thank you, so very much.

  13. Derrick C Tabor February 21, 2024 at 4:41 am #

    Wonderful work. In you research did you come across Adler Photography? I have a picture of my grandfather a graduate of Paine with Adler’s nsme on it.

    Thank you, Derrick

Leave a Reply